Tuesday, May 20, 2008


How The World was Made



The earth is a great island floating in a sea of water, and suspended at each of the four cardinal points by a cord hanging down from the sky vault, which is of solid rock. When the world grows old and worn out, the people will die and the cords will break and let the earth sink down into the ocean, and all will be water again. The Indians are afraid of this.

When all was water, the animals were above in Gälûñ'lätï, beyond the arch; but it was very much crowded, and they were wanting more room. They wondered what was below the water, and at last Dâyuni'sï, "Beaver's Grandchild," the little Water-beetle, offered to go and see if it could learn. It darted in every direction over the surface of the water, but could find no firm place to rest. Then it dived to the bottom and came up with some soft mud, which began to grow and spread on every side until it became the island which we call the earth. It was afterward fastened to the sky with four cords, but no one remembers who did this.

At first the earth was flat and very soft and wet. The animals were anxious to get down, and sent out different birds to see if it was yet dry, but they found no place to alight and came back again to Gälûñ'lätï. At last it seemed to be time, and they sent out the Buzzard and told him to go and make ready for them. This was the Great Buzzard, the father of all the buzzards we see now. He flew all over the earth, low down near the ground, and it was still soft. When he reached the Cherokee country, he was very tired, and his wings began to flap and strike the ground, and wherever they struck the earth there was a valley, and where they turned up again there was a mountain. When the animals above saw this, they were afraid that the whole world would be mountains, so they called him back, but the Cherokee country remains full of mountains to this day.

When the earth was dry and the animals came down, it was still dark, so they got the sun and set it in a track to go every day across the island from east to west, just overhead. It was too hot this way, and Tsiska'gïlï', the Red Crawfish, had his shell scorched a bright red, so that his meat was spoiled; and the Cherokee do not eat it. The

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conjurers put the sun another hand-breadth higher in the air, but it was still too hot. They raised it another time, and another, until it was seven handbreadths high and just under the sky arch. Then it was right, and they left it so. This is why the conjurers call the highest place Gûlkwâ'gine Di'gälûñ'lätiyûñ', "the seventh height," because it is seven hand-breadths above the earth. Every day the sun goes along under this arch, and returns at night on the upper side to the starting place.

There is another world under this, and it is like ours in everything--animals, plants, and people--save that the seasons are different. The streams that come down from the mountains are the trails by which we reach this underworld, and the springs at their heads are the doorways by which we enter, it, but to do this one must fast and, go to water and have one of the underground people for a guide. We know that the seasons in the underworld are different from ours, because the water in the springs is always warmer in winter and cooler in summer than the outer air.

When the animals and plants were first made--we do not know by whom--they were told to watch and keep awake for seven nights, just as young men now fast and keep awake when they pray to their medicine. They tried to do this, and nearly all were awake through the first night, but the next night several dropped off to sleep, and the third night others were asleep, and then others, until, on the seventh night, of all the animals only the owl, the panther, and one or two more were still awake. To these were given the power to see and to go about in the dark, and to make prey of the birds and animals which must sleep at night. Of the trees only the cedar, the pine, the spruce, the holly, and the laurel were awake to the end, and to them it was given to be always green and to be greatest for medicine, but to the others it was said: "Because you have not endured to the end you shall lose your, hair every winter."

Men came after the animals and plants. At first there were only a brother and sister until he struck her with a fish and told her to multiply, and so it was. In seven days a child was born to her, and thereafter every seven days another, and they increased very fast until there was danger that the world could not keep them. Then it was made that a woman should have only one child in a year, and it has been so ever since.

Wednesday, May 14, 2008

RICH-HEAP FILMS AWARD


Trail of Tears: Cherokee Legacy
, the award-winning film by Rich-Heape
Films of Dallas, was recently named "Best Documentary Feature" at the
31st Annual American Indian Film Institute Festival in San Francisco.

The film chronicles the forced removal of the Cherokees from their
southeastern U.S. homeland to Indian Territory, now Oklahoma. During
the forced march in severe winter weather, an estimated 4,000 of
16,000 died. The survivors called it the "trail where they cried."

The film was endorsed by the Cherokee Nation and Eastern Band of
Cherokee Indians of North Carolina, which includes descendants of the
few Cherokees that avoided the removal.

Steven R. Heape, president and executive producer of Rich-Heape Films
and a Cherokee Nation citizen accepted the award for best documentary
in November at the Palace of Fine Arts in San Francisco. In his
acceptance speech, Heape praised Cherokee Nation Principal Chief Chad
Smith and Eastern Band of Cherokees Chief Michell Hicks for their
support of the documentary project and educating people worldwide
about Cherokee history and culture.

The long-running American Indian Film Festival in San Francisco
annually features more than 70 films about and by American Indians
from the U.S. and First Nations communities in Canada.

It was the second award the documentary received in a two-month
period. In October, it received the "Founders Award" at the
International Cherokee Film Festival in Tahlequah.

"We are extremely gratified with the awards," Heape said. "But it's
equally gratifying that so many people have attended the screenings
and we are informing people about a tragedy that is neglected in U.S.
history books."

Since its premier and an extended two-week at the Dream Theater in
Tahlequah, the capital of the Cherokee Nation, the film sold out its
debut at the 19th Dallas Video Festival in August at the city's
Angelkia Theater, as well as two screenings in December at the 7th
annual Santa Fe (N.M.) Film Festival.

In September, it was the opening film of the Denver Indigenous Film
Festival at the University of Denver.

The documentary has been accepted for showing in January at the
Alaska Native Heritage Center Film Festival in Alaska and the New
York Festival in February. Heape said he has been informed that it is
a finalist in its category at the international New York Festival.

"The words that have been written about the tragedy of the Trail of
Tears evoke heartbreaking images, but the evil work is not much more
than a footnote in history courses in most high schools and
colleges," Heape said. One of the goals of the film by Heape and R.Y.
"Chip" Richie, director and producer, is to move the story from a
footnote to the forefront.

Education has been a primary mission of Rich-Heape Films since the
collaboration was formed in 1982. With the mission to inform, educate
and encourage awareness of tribal histories, cultures, languages and
aspirations of Native Peoples through the creation, production and
distribution of audio/visual productions, the company has produced a
number of award winning films.

"I take pride in feeling that we produce films that educate people
about subjects that typically you're not going to find in your every
day educational program. We produce films designed to celebrate and
perpetuate Indian culture and language, as well as educate
non-Indians about the true history of what happened to many Native
nations after European contact," Heape said.

The film is presented in the Cherokee language with English subtitles
by Cherokee actor Wes Studi, known for his lead role in the film
Geronimo, as well as roles in Last of the Mohicans and Dances With
Wolves. The narrator is actor James Earl Jones. Also featured are the
voices of actor James Garner, John Buttram and singer/songwriter
Crystal Gayle.